The BGN News Archive
July 27, 2015
David Minehan of the Neighborhoods
at TT's Friday
Great music is happening every day of the week this summer. Monday we started
at Great Scotts which was full like a Saturday night.
The Detroit Cobras haven't put out much music in the last few years
but that doesn't matter to the faithful who came out to see them.
Openers Fireking's job was to engage a crowd who only came to see the
headliners. Often this is futile but not tonight. Fireking were pretty
much undeniable. No warm up was required as the first song shot out of the gate.
The trio is a tight working unit. They're completely synced and energy comes
from all of them. They play a few songs without stopping and there is a real
momentum that carries the whole set.
Photo: John Keegan
This gig is a little different because they now have an excellent double CD
Double Trouble behind them (Our
Review) Tonight they have to live up to that and they do. They play some
songs from the CD; Muffins, Once is Not Enough, Runaways, Futura 2000 and
a rave up closer The Dukes of Rock.
The elements of the music are very simple. Tony Kaczynski has the Gibson
hollow body tone and does mostly single note runs only switching to octaves
for variety. The rhythm unit is on the beat and pumping in the power. Two big
elements are the songwriting and Tony's vocals. Tony has a distinctive full
bodied voice that I find captivating when he cranks it up. On record you can
listen over and over, live you can just enjoy it as it happens. It's something
you should go out and catch yourself.
Photo: John Keegan
The audience was primed for the Detroit Cobras. There was a longish
wait for the set to begin and when the group got on stage they had a heckler
who was telling them to "play already". The heckler kept going during
the set annoying Rachel Nagy the lead singer and he eventually got thrown
Photo: John Keegan
The Cobras did their thing which is a garage rock version of 60's obscure
songs. They delivered a set that was comparable to their recorded efforts. I
loved the overall sound and Rachel Nagy the lead singer has a natural voice
with character that she can control and brings it all home. She's known for
that. We know from the Black Souls that there's gold in those old songs
and the Cobras' capture some of the magic. This Monday night crowd got what
they came for.
Tuesday TT's was also full for one of the Farewell Blowout celebrations.
You couldn't help but give notice to Evan Dando's name in the lineup
and Thalia Zedek is someone we always want to hear.
Photo: John Keegan
Upon first walking in we see a non-descript line up on stage. but on a closer
look there was Evan Dando, tucked in and playing with the group. They
were switching players and leaders and going by different names. When Evan took
the lead it was called The Sandwich Police Department which is what his
Photo: John Keegan
A lot of the time Evan was bent over from the waist looking
at his pedals or listening to his amp. You would think there was something wrong
but that's just what he does. He was singing and playing lightly and you had
nothing to hold on to and then
there's a nice solo
a well crafted song
finally a stronger vocal. The rewards were there but
you had to pay attention. He covered the 13th Floor Elevators You're Gonna
Miss Me which stood out.
Ben Deily and Evan Dando
Photo: John Keegan
When Ben Deily ex-Lemonhead (current Varsity
Drag) stepped up to play with him as a duo things kicked in a bit more.
The songs were more concrete but it seemed there was no rehearsal so it was
pretty loose, but hey, it was a reunion of sorts. You could see how their combined
talents made the Lemonheads work.
Photo: John Keegan
Mickey Holland from The Dazies played an acoustic
solo set of snappy songs with clever lyrics that were entertaining. I thought
the songs came across a bit better than some of the
Dazies low fi recordings. Although he did play Bad Moon Rising
by CCR; I was hoping that would never happen to me.
Thalia Zeded Band
Photo: John Keegan
Thalia had six people on stage for her set. Now,
finally we had a focused unit not afraid to get loud. Thalia's substantive music
makes other groups sound trite. Her songs heave with emotion. The dynamics of
the performance reflect the content of the lyrics. The vocals, the elegant piano,
the violin and the powerful vocals all add to the heft. There's a power that
comes from these serious players. The songs ebb and flow dynamically, carrying
you along and giving you an emotional high as a reward.
Thalia Zedek and Chris Browkaw
Photo: John Keegan
Hilken Mancini of the Monsieurs added to the
vocals on two songs and left her mark. Chris Browkaw created some sonic
landscapes in tandem with Thalia on guitar and aided by the violinist (or was
it a viola?) who was doing everything except playing straight ahead. He had
complete control of feedback to boot.
Runner and the Thermodynamics
Photo: John Keegan
That was a memorable set and after that It would be hard to concentrate on
another band but John Keegan did stay for the final group and says: "Runner
and the Thermodynamics brought their big seventies classic rock trio sounds
to TT's for a last blast run through. Guitarist Mark Pinansky sported
and appropriately porn moustache. The drum fills pounded hard and hit and ran
damn fast. The set built momentum and ragged charm as it went. Time was moving
backwards and it sounded pretty good."
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Wednesday Scruffy the Cat had a warm up gig at Cuisine en Locale.
If you were surfing around the usual internet sites you could have caught a
heads up on that.
Thursday it was back at TT's - hey, what else do
we got to do? The club was full and buzzing with excitement. Not from the music
even but the whole drama of the closing is gripping the audience. It's in the
air now. I can hear people talking about it around me.
The name Orbit was thrown around in the 90's but
we never saw them. When they started playing I thought they were a little lame.
Jeff the guitarist/singer confessed they had not played in a few years.
But things changed, in a few songs they found their footing and cranked out
a rewarding set. Their better songs reminded me of the Pixies a bit. They revved
up a wall of sound with a groove and just kept it steady for three minutes with
the bass growling and the guitar feeding back. They had intensity in their playing
that added to the impression. They were rewarded by the audience reaction with
big whoops going up at the end of the tunes. I would have loved to seen them
back in their prime.
I only caught a few songs by Vic Firecracker who were tight and rocking.
They had a split EP with Orbit back in 1997.
It's sleep, eat and back to TT's on Friday. This
is the big night for us with the Neighborhoods who haven't played in
two years according to David. The club is sold out and the crowd is buzzing
Kenny Chambers of Moving Targets
Moving Targets takes the stage and man are they good.
One forgets. We saw them a few years back at
Carmelita's Baystate Rock 20th Anniversary. It's intense and Kenny
Chambers is jumping all over the place. I love the guitar work which is
free of clichés. The songs hold up too. The bass and drums are 100% right
on it. These guys should restart this band right now. Why not? It's as good
as anything out there. There's a big response from everybody who are giddy with
excitement anyway. This feels good.
Howie and the Scrapes
A lot of people don't seem to know Howie and the Scrapes.
We've seen them
before . Drummer Walter Gustafson was in the Outlets and
Gang Green. I think they gathered a few new fans with the fun and rocking
set. The overall sound is very dense and loud. They are not afraid to be too
loud. Even though it's TT's celebration they play There's
a Hole in My Heart Where the Rat Used To Be about the demise of
Howie Scrape the lead singer is a front man with some
panache. He wears sunglasses and sports a dark shirt with a purple neck tie
and a classic Elvis do. He juts into the audience and often spreads his arms
as if he's gathering in the vibes or giving them out.
The songs have funny lyrics if you can catch them. Check out
Sham Rock. They also give a gritty depiction of Brighton called
Brighton Dungheap. This is an interesting group we should all be paying
more attention too. The power cover of Knock Me Down by the Outlets
sealed the deal.
We've been edging closer to the stage with each set. And
now we secure a nice position right at the stage for the Neighborhoods.
The Hoods have played a little here and there. They were at TTs in 2013 for
La Eva Benefit. In 2008 we saw them at the Somerville
Theatre. David also played at Willie
Loco's 70th Birthday in 2013. That's a long way from the hundreds of
gigs they played per year back in the day, but that's a story to be told in
our interview with David.
Now, we have that feeling that we are in the only place we want to be. They
run on stage plug in and play Monday Morning. All the things you love
about the Hoods come crashing back into your conscious mind; the crunch, the
pop, the singing, the way the lyrics sit in the tune, and the Minehan moves.
It's all there and now it's almost a non-stop ride of Hoods mania and it's crazy
good. I don't think I've appreciated the songs as much as I do this time. With
a little distance they sound better than ever. They have some sort of Peter
Pan ever youthful exuberance to them.
Prime example would be Pure and Easy and then WUSA,
when that riff hits again and again and you can't get enough of it. Hoodwinked
which I always loved is a bit darker and they dig into that roller coaster riff
and make the most of it.
They salute the early Boston Punk era by playing Just
Head by the Nervous Eaters. The audience demands an encore and play
three more songs and end with Bowie's Suffragette City. This was everything
David, Lee Harrington and John Lynch looked
and sounded like they were having a good time. In our talk with David he seemed
to have many plans for the Neighborhoods. There will be a new CD. There are
plans for new material and release of older songs. We will have more details
on that with the interview but hopefully we will look back on this gig as a
beginning of a new active era of the Hoods.
The night still wasn't over. The Dogmatics were still to play. That's
a hard chore and Jerry Lehane mentioned that but that didn't discourage
these guys. The club had emptied a bit but there were still many there as the
Dogs did their thing. They are very dependable these days and also very satisfying
as they launch into the set with Teenager on Drugs.
Saturday was TT's last day but we couldn't get tickets. It was a great
bill with Randy Black and The Heathcroppers, Willie Alexander,
O Positive and Scruffy the Cat who were the final group to play
Saturday before the show there was a line down the street
and around the corner for available tickets and the bar was running out of beer
even on Friday but it must have been a sad but glorious ending.
It turned out David Mineham sat in with Scruffy on Saturday.Video Minehan/Scruffy.
saw this photo by John Keegan of the TT's sound booth and I have
to say that the sound guy (to the left) is always there. I've seen groups ask
him to do a million different things which he does in just a few minutes. No
big whoop or delay of the show, he just knows how to get it done. I've never
had complaints about the sound there either; it's always been balanced and clear.
Kudos to him and my thanks.
Lots about TT's on the WBUR website. An
article well worth reading.
And here's some memories
from Kay Handley in Billboard Mag about TT's
And now Johnny D's is closing in February 2016. Things are getting bad. Let's
hope some new places open up.
And in other news.......
BOOM! is a film in the works (for over 7 years now) about The
Sonics who just played the Brighton
Music Hall a while ago. The films creator Jordan Albertsen has an IndieGoGo
page to raise moeny to finish the film. You
can read all about it here.
There was a very successful Kickstarter campaign for Wax Trax! A Monumentary,
a film on Wax Trax! The Indie record store and label
can read about that one here.
And here's a story on Please Kill Me about (and including) NY77,
The Coolest Year in Hell the documentary about the Summer of 77 in NYC
when the Punk scene was at its heyday.
Did you hear about the punk guy who unwittingly got everyone upset and even
got arrested for wearing a punk belt?